I have managed to complete another small piece, in time for this event, so I now have entries:
| Celebration polymer clay mosaic, 20cm diameter |
I have managed to complete another small piece, in time for this event, so I now have entries:
| Celebration polymer clay mosaic, 20cm diameter |
I have just submitted my application form for this exhibition - two of my acrylic with sand & glitter paintings: 'Sailing at Sunset' and 'The waves keep rolling in'.
I have just finished the piece I am going to exhibit at this event, and have sorted an 'arty outfit'. Looking forward to a 'fun' afternoon.
As a past member of the New Zealand Mosaic Art (NZMA) group I had the opportunity to attend a two day workshop, run by Australian mosaic artist Deanna Kernick, on "Realism in Stained Glass". This was held at the Estuary Arts Centre in Orewa. It was great to go back there (it used to be my local arts centre when I lived in Millwater) and to meet up with some of the NZMA members. I joined this group when I attended their Symposium and Workshops, at this location, back in 2016.
The theme of this years Challenge is 'The Senses'. There are 4 categories: Sight, Smell, Taste and Touch.
Entry 1- Category: Sight
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| " A wonderful day to remember" polymer clay mosaic, 40 cm x 60 cm |
A cruise ship stop at Mystery Island and my first experience of walking on coral sand, sitting under majestic palm trees, drinking from a fresh coconut. This was a wonderful day to remember on a special holiday, to celebrate my 50th birthday, cruising the Western Pacific Islands.
Entry 2 - Category: Smell
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| "Kakara" (fragrance bowl) polymer clay mosaic, 12 cm diameter |
Kakara is the Māori word for aromatic, fragrant, sweet-smelling. For the exhibition, I will place a Freesia & Jasmine reed scented diffuser in the bowl, to provide the actual scent that the floral images in the mosaic convey.
Below is a photograph taken at the exhibition.
Unsurprisingly, I got side-tracked from my proposed plans for the year, particularly with another attempt at painting with coloured sand (which I had tried previously and discounted) because I thought it would be quicker, cheaper and easier for creating larger artworks. I did three sand paintings, which I displayed at the 'Touch of Spring' event in September. They took a lot longer to complete than I thought and because they needed to be sealed with varnish, to make them durable, they lost the raw sand look. So once again, I said no more sand paintings, I would return to the polymer clay mosaics that I enjoy creating.
On 1 June 2024 I launched an online store called GLOW CREATIONZ, selling a range of functional and novelty products designed to glow in the dark. Although the main idea was 'Glow in the Dark Christmas Tree Decorations' because this is a very seasonal product, I also designed Emergency Tags, Bag Tags, Key Rings, Hanging Ornaments and Novelty Gifts (e.g. Glow Dinosaurs).
I spent a lot of time photographing and writing the listings for these items and was proud of the way my online store looked on felt.co.nz. It was disappointing to have only one online sale through Felt (7 December 2024), and no interest when I tried the products on TradeMe, I actually sold more of these items at the local market in Whangamata. The attempt at selling online took a lot of time, effort and expense but it has confirmed that it is not for me. I much prefer to have the real customer contact and see their reactions, even if it is only at the local market.
As I write this, I am half way through creating a polymer clay mosaic picture, titled "A wonderful day to remember". It is based from a photograph I took on a cruise ship stop at Mystery Island, over 11 years ago. I have always wanted to do this picture (in some medium/format) and I thought it would fit the theme of the Harcourts Challenge, to be judged on 24 January 2025.
As I have been been spending hours working on this mosaic picture, it has made me question the wise use of my time. Although I enjoy the creative process, I think I enjoy the 'buzz' of market sales and customer feedback on my creations more. So, I have finally conceded that I am happy with market rather than exhibition sales, even if the financial reward is not large. The creation of Swirl-StoNZ is less time intensive, which puts less pressure on my aging body and gives me more time to spend with my husband who is now retired. So my plan for 2025 is to focus on Swirl-StoNZ, and see how that develops, I still have many new ideas and thoughts on refining my existing StoNZ.
I will wait with interest to review 2025 at the end of the year, and see how it turns out compared with my proposed plans. Hoping that 2025 will be the year of Swirl-StoNZ.